Bîstyek
Life Jacket
Bîstyek
Acrylic on canvas · 121.92 x 152.4 cm · 2024
This piece captures the resilience and hope embodied in the refugee experience. The central figure is adorned with two metaphorical wings, made from the very thorned wires that refugees must cross, either physically or emotionally, on their journey to safety. These wires, though symbols of hardship and barriers, have been transformed into tools of liberation—wings that allow the refugee to soar beyond the limitations of displacement.
The vibrant red life jacket, worn by the figure, is another profound symbol. It reflects the life jackets worn by refugees during dangerous sea crossings. While many take these jackets off upon reaching the shore, the emotional imprint remains long after, symbolizing the internal weight refugees carry with them. It becomes part of their identity, an invisible yet ever-present reminder of their journey and resilience.
This artwork speaks to the courage required to rebuild a life from nothing and the deep, internalized scars that remain. The work inspires empathy, inviting viewers to reflect on the enduring strength of those who are displaced, while also celebrating their ability to reclaim agency and hope in a new land.
Bîstyek originates from Syria and currently resides in Winnipeg, Manitoba.
Born in 1996 in Syria to a Kurdish family, Bîstyek is a visual artist based in Winnipeg, Manitoba. He rose from a refugee background to establish himself in the art world. Bîstyek’s work captures the raw complexity of life, focusing on personal narratives of displacement, resilience, and the refugee experience. His paintings are emotive reflections of his own journey and serve as a window into the lives of others who have experienced conflict and migration. With dramatic imagery and bold, saturated colors, his canvases act as a refuge from conventionality, blending portraiture with abstract elements to evoke powerful emotions. Through his distinctive style, Bîstyek portrays the multidimensional realities of being a refugee, offering a unique perspective that resists oversimplification and challenges the stereotypes often associated with displacement. Bîstyek has held solo exhibitions in Toronto and Winnipeg, and his work has been featured in several prominent newspapers, including The Free Press, Toronto Star, and CBC. He has also collaborated on projects and been the subject of a documentary called ‘’When I Go Outside’’ by Geordie Sabbagh.
Kim Thúy
Mon frère et le Myanmar
Kim Thúy
Poem · 2024
Mon plus jeune frère est actuaire. Il avait six ans quand nous sommes arrivés au Québec en tant que boat people vietnamiens. Contrairement à moi, il a fait un parcours parfait, sans détour ni hésitation. Pendant dix ans, il a écrit des examens en même temps que son travail à temps plein dans des compagnies d’assurances. Il a relevé ce long défi avec la concentration et le silence d’un moine. Nous ne l’avons jamais entendu se plaindre même lorsqu’il essuyait un échec. Nous le regardions avancer pas à pas sans oser poser de questions, car nous ne connaissions rien de ce métier qui nous semblait si opaque et si ardu. Et puis, un jour, nous avons recommencé à respirer quand il nous a annoncé qu’il a complété cet interminable marathon à la vitesse d’un sprint. À partir de cette nouvelle étape, sa profession a pris son envol et l’a éloigné de nous. Il a déménagé à Toronto et par la suite, il a été recruté pour un poste au Vietnam. Nous étions certains qu’il n’y resterait pas longtemps à cause de la chaleur, à cause de cette culture qui n’était plus la sienne. Or, il s’est adapté, si bien qu’il en est devenu attaché voire enraciné, de nouveau. Il a appris et ré-appris la langue vietnamienne pour le travail et surtout, pour le rire.
En 2019, il a accepté d’être muté au Myanmar, le pays où Aung San Suu Kyi a été détenue chez elle pendant 15 ans. Déterminée à mener son combat contre la junte militaire, elle et son parti politique ont lutté pendant deux décennies pour finalement réussir à gagner leur place au pouvoir en 2015. Malgré une présence encore importante des militaires, son gouvernement a rouvert les frontières et attiré des investisseurs étrangers, autant des petits que des grands. L’entreprise pour laquelle mon frère travaillait l’a envoyé pour monter et opérer une nouvelle compagnie au Myanmar. Il ne manquait pas d’enthousiasme de la part de la population et plus spécifiquement, des employés. Leur énergie sur les photos publiés sur les réseaux sociaux traversait l’écran comme les perce-neiges au printemps. Le renouveau battait son plein oubliant les années où le droit aux rêves était un concept étranger. Tous les avenirs devenaient soudainement possibles. Le pays a rebondi rapidement. Au milieu de cette ouverture où les citoyens déploient leurs ailes au rythme des promesses, le Myanmar s’est retrouvé dans les nouvelles internationales pour le traitement des Rohingyas. Plus de 700 000 personnes ont été chassées de chez eux tout en subissant les cruautés habituelles: viols, tortures, destructions. Les chanceux qui ont pu marcher, courir, transporter un parent affaibli dans un panier et un enfant dans un autre grâce à une palanche en équilibre sur leurs épaules survivent sur des étroites bandes de terre entourées d’eau des rizières, à la frontière entre l’horreur, la faim et la persécution. Mon frère et moi voulions croire que Aung San Suu Kyi a défendu ce massacre par les militaires pour éviter tout soupçon avant les nouvelles élections. Il fallait peut-être perdre cette bataille pour gagner le combat ultime.En novembre 2020, la population a accordé à elle et son parti 396 sièges sur 476 au parlement, laissant seulement 33 sièges au militaires. Déçue par le manque d’amour des gens, la junte militaire a puni les électeurs en enfermant les nouveaux élus, en coupant les lignes téléphoniques, en empêchant l’accès aux réseaux sociaux, en limitant les opérations bancaires…
Au lendemain du changement inattendu de la gouvernance du pays, une conversation avec mon frère a été soudainement interrompue. Par la suite, nous pouvions garder contact avec lui de façon aléatoire. L’actualité nous montrait des mers de manifestants aux trois doigts levés comme dans Hunger Games, comme des gens qui refusent de perdre leur voix, de nouveau. Alors que Aung San Suu Kyi est accusée d’avoir importé illégalement des walkie-talkie, les professeurs et les fonctionnaires font la grève, les citoyens frappent leurs casseroles pour chasser les mauvais esprits, les jeunes descendent dans les rues dont une de 19 ans qui a demandé à son père d’attacher autour de son poignet un ruban sur lequel elle avait écrit son groupe sanguin. Elle est tombée au combat non loin des ambulanciers arrêtés et frappés par les militaires. De sa chambre, mon frère entendait les coups de feu tout en perdant ses collègues à l’écran, un à un.
Environ un mois et demi après la reprise du pouvoir par les militaires, le siège social de la compagnie a exigé le départ de mon frère et, 24h plus tard, l’Ambassade a demandé à tous les Canadiens de quitter le Myanmar. Qui aurait cru que mon frère vivrait deux évacuations avant d’avoir 50 ans? Qui aurait cru que son départ sans salutation à son équipe symboliserait la fin d’une époque? Qui aurait cru qu’au milieu de ce chaos, il y a eu des gens qui ont ramassé les téléphones, les chaussures, les sacs trouvés par terre pour que les manifestants pourchassés puissent les récupérer le lendemain? Qui aurait cru qu’il existe en même temps des pays comme le nôtre où nos votes sont comptés et que ces chiffres comptent?
Kim Thúy originates from Vietnam and currently resides in Montréal, Quebec.
Kim Thúy was born in Vietnam in 1968. At the age of 10 she left Vietnam along with a wave of refugees commonly referred to in the media as “the boat people” and settled with her family in Quebec, Canada. A graduate in translation and law, she has worked as a seamstress, interpreter, lawyer, and restaurant owner. The author has received many awards, including the Governor General’s Literary Award in 2010, and was one of the top 4 finalists of the Alternative Nobel Prize in 2018. Her books have sold more than 850,000 copies around the world and have been translated into 31 languages and distributed across 43 countries and territories. Kim Thúy lives in Montreal where she devotes her time to writing.
Svitlana Radostieva
Arabic Breakfast
Svitlana Radostieva
Watercolour · 21 x 30 cm · 2024
Arabic Breakfast reflects my time in Jordan and features a collection of traditional Eastern dishes. Through this piece, I explore the beauty and cultural significance of everyday moments, using art as a way to connect with both my past and present, while processing the personal and global realities that shape my world.
Svitlana Radostieva originates from Ukraine and currently resides in St. John’s, Newfoundland and Labrador.
Svitlana Radostieva is a Ukrainian artist with diverse experiences shaped by living in Ukraine, Jordan, and now Canada. Her journey across these places has deeply influenced her artistic perspective. Svitlana has found a sense of familiarity and connection in St. John’s, which reminds her of her hometown, Vinnytsia, in Ukraine. With the ongoing war in Ukraine weighing heavily — art serves as her way of processing these complex emotions and provides a space for reflection.
Randell Adjei
Hope Away From Home
Randell Adjei
Poem · 2024
No one chooses to become a refugee
to leave the roots of their family trees
the lands that connect us all, to our Ancestry.
There are times
when we are forced to branch out and leave.
It often stems from war, greed, displacement or poverty.
I’ve heard that,
Faith is taking the first step
without seeing the mountain ahead
when one is forced to find refuge
In a foreign land with new challenges and tests.
Sometimes alone, without anyone else.
It is hard to see the light
when clouded by darkness.
Community is an essential aspect of our humanity.
Who are we without friends and family?
Those we can lean on when life pushes us beyond our capacity.
But these borders we have created
have closed our minds
And make our hearts have gated
to keep others with unique experiences out
only leave us devoid of new perspectives abound.
As human beings,
our empathy to open our hearts
and welcome others into our circles
can have an incredible and life-changing impact.
We all have the ability to create change
by welcoming new faces into our homes.
One of the saddest things that people die from,
Is being alone.
You can change someone’s life by a simple hello
A smile, a wave, a conversation
Give them faith in the unknown.
May your heart be the one
That gives them hope
away from home.
What is life without the hope for more or betterment for our lives? What is life without community? Without these two crucial things, life can be stagnant and challenging to push past.
This poem is a reminder of what it means to have hope when your basic necessities are stripped and you are working to reimagine a new life, while mourning the old. I hope this poem helps you realize the power we all have in helping others feel more at home.
Randell Adjei originates from Ghana and currently resides in Toronto, Ontario.
Randell Adjei is an entrepreneur, speaker and spoken word practitioner who uses his gifts to Empower the message of Alchemy. He was recently appointed Ontario’s first Poet Laureate. Randell, is the founder of one of Toronto’s largest youth led initiatives; Reaching Intelligent Souls Everywhere (R.I.S.E Edutainment). In 2018, R.I.S.E received the Toronto Arts Foundation’s, Mayor’s Youth Arts Award. Randell is the author of “I am Not my struggles,” a powerful Anthology released in 2018. Randell was also named CBC’s Metro Morning’s Torontonian of the Year in 2015 and NOW Magazines Local Hero in May 2017. In 2020 Randell opened up for President Barack Obama at the Economic Club of Canada.
UNHCR, the UN Refugee Agency, protects people forced to flee their homes because of conflict and persecution. We save lives, protect rights, and help build better futures.
Rana Atie
Flowers of resistance
Rana Atie
Acrylic on canvas · 110cm x 75cm · 2024
The rivers run bright red with blood,
Like in the old legends of Tammuz.
In their wake crimson velvety tears bud.
From the depth of our land hope spews.
Resilient bright red poppy flowers grow,
The souls of every man, woman, and child.
They are the resistance songs of tomorrow.
They are vivid sparks of humanity in the wild.
Rana Atie originates from Lebanon and currently resides in Montréal, Quebec.
Born in Nigeria from a Lebanese father and a Palestinian mother, Rana is a Human Rights activist who works towards social justice. Due to dispossession and many wars, she has traveled extensively and settled in Canada where she got a Bachelor degree in communications. She has worked both for private and public sectors in various fields such as journalism, finance, event planning, contributions and education. After 15 years with the federal government and 20 years of owning her own business, Rana has chosen a path that enables her to amplify the voice of her people in the Middle-East. Since 2022 she has become the Executive director of Canadian friends of Sabeel. Rana is also a wife and mother to twin 18-year-old boys and a 7-year-old girl. Her family is always her priority as she educates her children to be strong pillars of our society and the future voice of her people.
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Jeff Dillon
Where Sky Meets the Earth
Jeff Dillon
Acrylic on canvas · 101.6 x 76.2 cm · 2023
A majestic mountain range dominates the background, its steep, rugged cliffs standing tall beneath a swirling, dynamic sky. The vivid hues of the sunset create a dramatic contrast, from the deep purples and blues of the clouds to the radiant gold and orange, fading into the horizon. Below, a tranquil lake reflects the sky’s vibrant colors, while its glassy surface shimmers in shades of teal and emerald. Dense evergreens line the water’s edge, framing the scene with their deep green, textured branches. The landscape is rich with detail, from the intricate shoreline to the distant peaks that stretch beyond the foreground. This painting captures the harmonious relationship between earth, water, and sky, evoking both serenity and awe in its depiction of nature’s grandeur.
Jeff Dillon originates from Canada and currently resides in Waterloo, Ontario.
Jeff Dillon is a Canadian fine artist based in Waterloo, Ontario. From a young age, he developed a deep connection with nature, spending countless hours exploring the fields, forests, and skies of British Columbia, Manitoba, and Ontario. Influenced by the Post-Impressionist tradition, particularly the work of Canadian artist Lawren Harris and Vincent van Gogh, Jeff’s paintings are known for their dynamic use of color, light, and form. His distinctive style captures the essence of the natural world with energy and fluidity, imbuing each piece with life.
Today, Jeff continues to draw inspiration from the landscapes he fell in love with as a child, dedicating his time to creating art that brings the beauty and tranquility of nature indoors. His work is celebrated both in Canada and internationally for its unique blend of color, gesture, and emotion.
Leila & Harun (Fake Honey Pictures)
Bahati
Leila & Harun (Fake Honey Pictures)
Video · 2023
The illustrated docu-short “Bahati” follows a Rwandan refugee’s deeply personal story of displacement and courage. Through hand-drawn minimalist animation and her own voice, Bahati’s journey captures one young woman’s attempt to regain control of her life, as she faces her past to make space for her future.
Every frame in the film was hand-drawn, and largely referenced Bahati’s childhood photographs showing her at various stages of life: photographs of the camp she lived in as a baby and the exact streets of Nairobi she grew up in. We wanted to create a visual essay with a calm atmosphere so we kept the animation to a minimum in order to have the focus on her story.
Bahati played an instrumental role in the script-writing process, and we directly incorporated parts of her high-school essays on screen, as it was central for us to have her voice guide the storytelling.
Since April 2023, “Bahati” has screened at Hot Docs Ted Rogers Cinema (Toronto, Canada), Cannes Court Métrage – Short Film Corner, Festival de Cannes (Cannes, France), UNHCR Headquarters (Geneva, Switzerland), Lemesos International Documentary Festival (Cyprus), UNAFF International Documentary Festival (Palo Alto, USA), Mashariki Film Festival (Kigali, Rwanda), and at Pier 21 the Canadian Immigration Museum (Halifax, Canada).
Leila & Harun (Fake Honey Pictures) originates from Canada and currently resides in Toronto, Ontario.
Leila Shifteh is a documentary filmmaker, visual artist, and refugee protection lawyer who merges fine arts and advocacy in her work. Drawing on extensive experience in forced migration and human rights—collaborating with organizations such as UNHCR and WITNESS—she weaves her expertise into emotionally impactful storytelling as a Filmmaker.
Harun Yasin Tuna is a Turkish documentary filmmaker and visual artist with a focus on women’s and children’s rights, climate and migration-related issues. He has worked on film and visual art projects for 20 years around the world. The artist duo’s work has screened twice at the Venice Architecture Biennale, Montreal’s McCord Museum, Surrey Art Gallery, San Diego’s Institute for Peace and Justice, and at several film festivals around the world.
Ahmed Moneka
Safety
Ahmed Moneka originates from Iraq and currently resides in Toronto, Ontario.
Since Ahmed Moneka arrived in Toronto from Baghdad, Iraq, he has contributed to Canada’s cultural landscape as a performing artist in music, theatre, and film. Ahmed has collaborated with numerous prominent organizations, including the Canadian Opera Company, Sunfest, Lula World, Mundial Montreal, Small World, the TD Toronto Jazz Festival, Kroner Hall, the Aga Khan Museum, and Tafelmusik. He is also a co-founder of Moskitto Bar and the creator and leader of Moneka Arabic Jazz, a project that merges Arabic musical traditions with jazz. In recognition of his musical talent and artistic vision, Ahmed was named a finalist for the Stingray Rising Stars at the TD Toronto Jazz Festival in 2019 and went on to win the prestigious award at Mundial Montreal in 2022. Ahmed continues to shape and contribute to Toronto’s multicultural arts scene, offering a unique blend of tradition and innovation in his performances.
Tolo Bismarck SANON
C’était une marche… !
Tolo Bismarck SANON
Poem · 2024
C’était une marche… ! Une lente procession de semelles lourdes, qui trimbalent l’histoire sur des routes aux mille brisures. C’était la marche de tous. Des plus jeunes aux séniles. Devant eux, l’aube rougit, se teinte des rouges vifs des mots qu’ils n’ont plus les forces de dire, mais leurs yeux sont pleins de lumière retenue.
Ils portent des rêves comme on porte un fardeau, là, entre les omoplates, là, dans le ventre creux. Ces rafales de vents résonnent comme un tambour lointain, un chant qui s’invite à chaque pas, chaque soupir arraché au silence. Un chant résistant aux cris de désespoir, aux frasques des frontières, affrontant l’oubli que leur impose la terre étrangère.
Ils avancent, en quête de terre où planter la graine de l’espoir, terre qui serait assez douce pour accueillir des rêves lynchés et les faire germer à nouveau. Car c’est dans ce ventre désertique de leur mémoire, là, que palpite encore la vie. C’est là que s’ouvre une brèche fragile entre deux montagnes de silence.
Et dans chaque pas, ils savaient que le chemin serait long. Dans chaque regard jeté au ciel, une force divine nous revigorait. « Avançons. Avançons. Avançons. Un jour ou un autre, dans un lieu ou un autre, il y aura une terre où fleurira la graine de l’espérance.»
C’était une marche, non pour fuir, mais pour tenir, pour vivre, pour réapprendre un souffle jadis plongé dans un coma. C’était une marche… ! Une marche de l’âme, de la résilience, en quête d’espoir, d’humanités loin de la terre de nos aïeux.
Bismarck Tolo SANON
Through my prose poem titled “C’était une marche…!”, I depict both a physical and spiritual journey—the journey of migrants in search of a place to call home. Using powerful imagery, I describe a slow procession, where each step carries the history and dreams of the walkers. The “heavy soles” symbolize the weight of their memories and the struggles they carry along paths scattered with broken fragments, while the “red dawn” evokes a glimmer of hope amidst the darkness.
The work also delves into themes of nostalgia and uprootedness, reflecting the painful separation from the “land of our ancestors.” This theme highlights both the loss of familiar landmarks and the possibility of a new beginning, a reinvention of self in a different context. The spiritual dimension of the march is reinforced by the idea that it is, above all, “a march of the soul,” symbolizing resilience and the quest for identity.
Ultimately, the poem stands as a cry of hope and humanity. Through my writing, I depict the contemporary realities of migration and urge the reader to reflect on the challenges and aspirations of migrants worldwide.
Tolo Bismarck SANON originates from Burkina Faso and currently resides in Montréal, Quebec.
Tolo Bismarck SANON is a writer, poet, and cultural advocate originally from Burkina Faso. He is the author of “Comme une termitière…” a novel published by Helloéditions, Paris, in 2023, which explores themes of solidarity, tolerance, cultural diversity, selflessness, and the refusal to surrender. Tolo’s own journey of migration between Burkina Faso, France, and Canada has profoundly shaped his creative work. With a background in Modern Literature from France, he is currently pursuing a master’s degree in Intercultural Mediation at the University of Sherbrooke. His experiences as a migrant and his engagement with global issues such as migration flows, intercultural relations, and peacebuilding have deeply influenced his artistic and literary practices.
Eleni Bakopoulos
Like the Pine #2
Eleni Bakopoulos
Oil on canvas · 121.92 x 91.44 cm · 2024
Pine trees are described as an invasive species because they produce many aggressive seedlings that reproduce and mature quickly. They tend to outgrow native species like Oak and Maple and were often featured in paintings by Tom Thompson and the Group of Seven.
In “Like the Pine #2”, the Nike of Samothrace, a Hellenistic symbol of victory, aligns with the pine tree from a painting of Varley from 1921 titled, Stormy Weather. Her wings and her clothes blend in to both the waves and the pine tree behind her.
The juxtaposition of this Greek sculpture, currently housed in the Louvre, within the Canadian wilderness captured by Varley, highlights feelings of displacement and a longing to “fit in” faced by immigrants, refugees, and their children. It is a weathered image of victory that does not originate from this landscape, but it resonates within the beauty setting nonetheless.
Eleni Bakopoulos originates from Canada and currently resides in Guelph, Ontario.
Eleni Bakopoulos is a first-generation Canadian of Greek descent, born to parents who immigrated to Canada in search of a better life. Their challenging journey has deeply influenced her perspective and artistic practice. With 25 years of experience as a photographer, painter, and author, Eleni has established herself as a skilled and multi-disciplinary artist. She has a steady history of achievement in the arts, including an international Discovery Award nomination at Les Rencontres d’Arles Photography Festival in France and a Silver Medal in photography for Canada at the 5th Francophone Games in Niger. For the past six years, her art has focused on the challenges and resilience of displaced people. Her photographs and paintings have been featured in several exhibitions, including the Beaverbrook Art Gallery, the Olympic Winter Games Cultural centre in Turin, Italy, and the Rosella Junck Gallery, Berlin. Through her work, she seeks to use her creative practice as a tool for connection, empathy, and advocacy.
Hardiel Vilchez
Cuentas Claras
Hardiel Vilchez
Music / Audio
“Cuentas Claras” (‘tamos tabla!) is a song I wrote in the middle of the process of being forced to leave my country a couple of years ago, due to high levels of insecurity, students assassinations, harassment, intimidation and incarceration towards any type of freedom of speech. Cuentas Claras is a sort of a “farewell letter through the eyes of an individual who is breaking up a terrible and toxic relationship with his/her couple and is forced to escape for its own life and wellbeing. Having to leave everything behind and taking a leap of faith towards the uncertainty that represents a forced migration, knowing that relationships like these are taking place everywhere around the world, developing and growing like snowballs. It also tells a little bit of how I felt with all this experience but it also expresses the importance of letting go of everything that does not allow you to grow, acceptance to move forward and forgiveness and compassion towards one-self after going through experiences like these. It encourages you to put a stop, to defend yourself, to speak up and get out of any place where you are not feeling appreciated.
Hardiel Vilchez originates from Nicaragua and currently resides in Montréal, Quebec.
As an exiled artist, Hardiel Vilchez is finding a creative space in Montreal to express his art and voice. Through his music, he aims to inspire reflection and encourage critical thinking about the realities we face, with a desire to spark change. Passionate about using his music as a tool for social commentary, Hardiel is committed to contributing to Montreal’s diverse cultural landscape.
Zehra Naqvi
Running
Zehra Naqvi
Poem · 2024
The moon in my stomach
the throttling of this cargo truck
no air since the running
bare hands digging
borders of barbed wire
i lost my mother
to the sea
my burning home
for the safety
of a drowning boat
when the boots came for us
we ran
and here
when they come for us
where do we run?
when you have to beg
your invaders
for a home
bend
your knees
before their detention
centres
running
to those who
destroyed you
let me live here
equally like you
—or
just let me live
Zehra Naqvi originates from Pakistan and currently resides in Delta, British Columbia.
Zehra Naqvi is a Karachi-born writer who grew up on Coast Salish territories. She is the author of The Knot of My Tongue: Poems and Prose (McClelland & Stewart) and a recipient of the Bronwen Wallace Award for Poetry awarded by the Writers’ Trust of Canada. Zehra holds degrees in migration studies and social anthropology from Oxford University where she studied as a Rhodes Scholar. Since the 1947 Partition of the Indian subcontinent, each generation of Zehra’s family has migrated to a new country. Consequently, her work often engages with issues related to migration, displacement, colonial violence, borders, and belonging.
At a time when the world can feel so volatile, so uncertain, art emerges as a common thread that weaves together the deepest parts of our shared humanity.
To me, “Hope Away from Home” is more than just an art exhibit.
It reflects the countless stories of those who intimately understand the heartache of fleeing their home — and abandoning the dreams of a life once envisioned.
But amidst sadness, they found hope.
In 1972, my own family was forced to flee Uganda, finding sanctuary in Canada. The support and opportunities we received gave way to rebuilding our lives and contributing to our new home.
Every refugee and displaced person deserves a life of dignity and hope. By sharing their stories through diverse artistic expressions, we can keep the spirit of “Hope Away from Home” alive. Join us in using the power of art to inspire action, to cultivate understanding, and to build a future where no one is left behind.
– Omar Sachedina
Lanna Check
Wings of Hope
Lanna Check
Digital art · 65.6 x 92.8 cm · 2023
Lanna Check originates from Cameroon and currently resides in Montréal, Quebec.
Lanna Check is a visual artist and former refugee whose work is shaped by her experiences of displacement and identity. Separated from her parents at a young age, she arrived in a new country with only her older sister, facing the challenges of isolation, especially during the pandemic. Living with her sister deepened her connection to their cultural roots, offering a sense of home and belonging.
Through her interactions with other refugees, Lanna recognized a shared feeling of disconnection from one’s identity, as well as the resilience that emerges from holding onto hope. Her art explores themes of identity, belonging, and the emotional journey of rebuilding life in a foreign land, aiming to capture the strength and perseverance that keep people moving forward despite adversity.
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Camilo Arias
Refugees
Camilo Arias
Acrylic on canvas · 90 x 60 cm · 2018
As a Colombian artist who has experienced displacement firsthand, I know the struggles and challenges that come with it. But what is more remarkable is the resilience and strength of the human spirit. Displacement is not just about losing your home, it’s about losing your identity, your sense of belonging, and your hopes for the future. But despite all of this, we find ways to survive and even thrive. Through my art, I aim to showcase the resilience of my people, their courage and determination to rebuild their lives, and their ability to find beauty in the midst of chaos. It’s about finding hope in the darkest of times and using it to fuel our journey towards a better tomorrow. The journey is not easy, but it’s one that we must take together, supporting each other along the way, and celebrating our victories no matter how small they may seem.
Camilo Arias originates from Colombia and currently resides in Gatineau, Quebec.
Camilo Arias is a Colombian-born artist whose work reflects the profound impact of displacement and resilience of the human spirit. Having experienced displacement firsthand, Camilo understands the deep emotional and psychological toll of losing one’s home, identity, and sense of belonging. Through his art, Camilo creates visual narratives that speak to the emotional complexity of displacement—highlighting both its pain and its transformative power.
Omar Sachedina
Expelled
Omar Sachedina
Video · 2022
Fifty years after his mother and thousands of other South Asians were expelled from the only home they had known in Uganda, this video captures a poignant moment as CTV’s Chief News Anchor and Senior Editor Omar Sachedina took viewers on an intimate journey back to where his mother was born in the village of Nabusanke. The return was captured in the CTV News Special: Expelled.
Omar Sachedina originates from Canada and currently resides in Toronto, Ontario.
Omar Sachedina is Chief News Anchor and Senior Editor of CTV NATIONAL NEWS, leading Canada’s most-watched national newscast, as well as features and live specials, covering significant breaking news stories across the country and around the world.
For his outstanding coverage, Sachedina has been recognized with multiple nominations for Best National News Reporter at the Canadian Screen Awards. He has also received multiple RTDNA Awards, most recently for the documentary special “Expelled: My Roots Uganda,” in which Sachedina chronicled his mother’s emotional return to her homeland, 50 years after she was expelled along with tens of thousands of others, as well as a feature exploring the roots of Mary Simon, Canada’s first Indigenous Governor General. Sachedina was also recognized by the Canadian Association of Journalists with a nomination for a Daily Excellence award.
Born in Vancouver to parents of Indian descent from Uganda, Sachedina holds a degree in Political Science from McGill University, a Masters in Journalism from Columbia University, and is a graduate of The Poynter Institute. Sachedina speaks English, French, Gujarati, and Kutchi.
Cěsart Celedôn
Spirit Indestructible \ Board
Cěsart Celedôn
Mixed media painting · 50.8 x 76.2 cm · 2023
“Beneath the sun, in nature’s care,
A boy was born with curls of air.
His skin like night, his heart aglow,
He dreamed of wings to rise and go.
Among the books and distant lore,
He yearned to paint, to dream, explore.
But voices cold and glances stern,
Taught him the world was harsh to learn.
“Be still,” they said, “you don’t belong,”
Yet in his chest, a flame burned strong.
He fought, he hid, he learned to fight,
A restless heart, a soul in flight.
He painted skies, he crossed the sea,
Proved to the world he could be free.
Through colors bold and shapes divine,
He told his tale, his light would shine.
The child who once was cast aside,
Now stands with power, love, and pride.
Unyielding, strong, his heart burns bright,
A soul who turns his pain to light”
Cěsart Celedôn originates from Chile and currently resides in Montréal, Quebec.
Cěsart Celedôn is an artist whose work explores the deep connections between the subconscious, nature, and the human experience. Celedôn’s art reflects the interplay of past nightmares, present challenges, and future hopes.
Since relocating to Canada, Celedôn has continued to teach and conduct art workshops. They participated in an exhibition with an LGBTQ+ organization, where their work amplified the voices of marginalized communities. Currently, they is working on a series inspired by the LGBTQ+ community and the struggles for freedom and rights faced by migrants today. Through art, Celedôn strives to raise awareness, foster dialogue, and celebrate resilience in both the human spirit and the natural world.
Artin Amu
Destination #3
Artin Amu
Oil on canvas · 121.92 x 152.4 cm · 2024
Destination #3 is part of a series called “Lost Land.” It is painted on a stretched canvas and incorporates materials such as graphite, charcoal, acrylic, and oil paint. Destination #3 evokes the lives of ordinary people affected by the fear and trauma caused by war, which are embedded in each figure’s psyche, dreams, and nightmares. The fall of the Afghan government in 2021 resulted in significant displacement, including the loss of belongings, homes, and history.
Stylistically, Destination #3 exhibits a blend of techniques from both 21st-century realism and 19th-century Impressionism, using loose brushstrokes and playing with warm and cool colors. Technically, the foreground figures are handled abstractly, as I manipulated different forms—ranging from large to small—and used colors that transition from saturated in the foreground to desaturated in the background to create a sense of depth. Through this artwork, I aim for the figures’ location and expressions to pause viewers for a moment and help them reflect on the contradiction and instability that one feels and experiences when leaving their homes.
Artin Amu originates from Afghanistan and currently resides in Montréal, Quebec.
Hamid Amiri is an Afghan-Canadian artist who works in painting. He currently lives in Montreal, Quebec. Hamid’s artworks explore current affairs, personal histories, and cultural knowledge through the exploration of the effects of war, displacement, and invasions on individuals and communities.
In 1986, Amiri was born in Kabul, Afghanistan. When the Taliban took over Kabul in 1996, he and his family left when he was ten years old. Amiri spent several years as a refugee in Pakistan and Tajikistan. Amiri became passionate about painting and studied both painting and art history. He attended Olimov College of Art in 2001 after graduating from Samanian High School in Dushanbe, Tajikistan. His first exhibition was a collection of landscape and portrait paintings displayed at the United Nations (UNHCR) art competition.
More recently, Amiri won the award from the Elizabeth Greenshields foundation where he completed a series of paintings as a part of his new series entitled ” Lost Land.” The series explores his childhood memories of growing up in Afghanistan and the diaspora.
Polina Iudina
Saida: the story of life
Polina Iudina
Video · 2019
This film tells the inspiring journey of a Muslim woman who, despite facing significant challenges—from personal harassment to cultural adversity—successfully rebuilds her life in Canada. Set in the diverse and vibrant city of Vancouver, British Columbia, the narrative captures the resilience, courage, and transformation that characterize her path.
Polina Iudina originates from Russia and currently resides in Parksville, British Columbia.
Polina Iudina is an award-winning videographer, specializing in documentary-style filmmaking that captures authentic, emotional moments. Her approach is rooted in the belief that the most powerful stories are real, not staged. As an immigrant herself, she connects deeply with the challenges of displacement and rebuilding, which drives her commitment to sharing the stories of those navigating these journeys.
Gloria Uwamahirwe
Home
Gloria Uwamahirwe
Poem · 2022
Home,
Noun: a place where one lives permanently.
Where is home?
Does the constant moving render me homeless?
Does the search for safety and security make me less?
I have no permanent home.
Never did, never will.
My home rejected me as its own,
Murdered, raped and slew my own.
To remain patriotic or run to safety? I am torn.
My home is not permanent.
Has never been, will never be.
Refugee to Citizen, I am free.
New culture, new life I get to live.
At least today, I can breathe.
My home will never be permanent.
Never was, nor is.
Continent to the continent I have been.
A whole new Process to begin.
Identify crisis, instability, and mental fragility.
Prize I pay for having no home.
– Gloria Uwamahirwe
The poem ‘Home’ illustrates the internal conflict between my origins and my present reality. In Canada, I struggle to fully assimilate, holding on to the culture and traditions of my Congolese heritage. At the same time, I find myself slowly losing connection to my roots as cultural norms inevitably shift. I exist in a state of limbo—neither fully here nor fully there.
Through my art, I aim to give voice to this sense of fragmentation and the fear of losing one’s true identity. My work reflects the tension between holding on to the past and navigating the complexities of adapting to new environments. It speaks to the universal experience of being torn between multiple worlds, seeking a place where one can truly belong, even when that place feels out of reach.
Gloria Uwamahirwe originates from Congo and currently resides in Ottawa, Ontario.
Born in a country marked by instability, Gloria Uwamahirwe was forced to move frequently during her childhood, never having the opportunity to establish deep roots or call any place home. Her work explores the complex and often conflicting experience of identity, displacement, and belonging.
J. Carolina Gajardo
I knit a new city
J. Carolina Gajardo originates from Chile and currently resides in Toronto, Ontario.
J. Carolina Gajardo is a self-taught visual artist and former refugee from Chile. With over thirty years of experience in the settlement and social services sector, Carolina dedicated much of her career to supporting refugees and immigrants. Through her visual art, Carolina continues to champion the healing power of creativity while remaining deeply connected to her roots in refugee advocacy and social service. She has donated artwork to the FCJ Refugee Centre (2024) and INDH (2023), exhibited at Artusiasm Gallery (2018), designed covers for “Quillagua” (2023), and created a concert poster for the Association of Disappeared Relatives in Chile (2023).
Harem Tahir
Seeking Safety
Harem Tahir
Acrylic on canvas · 45.72 x 60.96 cm · 2022
This painting vividly portrays the global migration crisis, with countless individuals leaving everything behind due to war and persecution in search of safety. The Earth, encircled by a vast crowd of migrants, symbolizes the shared human experience of displacement and survival. Among the figures, the artist includes himself as a child of war, holding a painting, a reflection of his personal journey of being forced to migrate several times. Through this deeply personal yet universal depiction, the artist illustrates both the immense loss and the enduring resilience of the human spirit. The cosmic backdrop underscores the global scale of this ongoing human struggle, reminding us that migration transcends borders, affecting humanity.
Harem Tahir originates from Iraq and currently resides in Burnaby, British Columbia.
Harem Tahir is a Kurdish artist whose life and work have been shaped by the profound experiences of war, displacement, and resilience. Born in Halabja, Kurdistan, during the devastating 1988 Iraq bombing that claimed over 5,000 lives, Harem’s early years were marked by the horrors of conflict and the harsh realities of life in refugee camps. Despite these challenges, art became his refuge and a means of coping, offering solace not only to himself but also to those around him. Currently residing in British Columbia, Harem continues to create art that bridges cultural divides and speaks to the shared human experience of struggle, survival, and hope.
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Zehra Naqvi
Running
Polina Iudina
Saida: the story of life
Harem Tahir
Seeking Safety
Bîstyek
Life Jacket
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Svitlana Radostieva
Arabic Breakfast
Randell Adjei
Hope Away From Home
Jeff Dillon
Where Sky Meets the Earth
Leila & Harun (Fake Honey Pictures)
Bahati
Ahmed Moneka
Safety
Eleni Bakopoulos
Like the Pine #2
Omar Sachedina
Expelled
Gloria Uwamahirwe
Home
UNHCR, the UN Refugee Agency, protects people forced to flee their homes because of conflict and persecution. We save lives, protect rights, and help build better futures.
J. Carolina Gajardo
I knit a new city
Kim Thúy
Mon frère et le Myanmar
Rana Atie
Flowers of resistance
Tolo Bismarck SANON
C’était une marche… !
Hardiel Vilchez
Cuentas Claras
Lanna Check
Wings of Hope
Camilo Arias
Refugees
Cěsart Celedôn
Spirit Indestructible \ Board
Artin Amu
Destination #3
Artin Amu
Destination #3
Tolo Bismarck SANON
C’était une marche… !
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Lanna Check
Wings of Hope
Jeff Dillon
Where Sky Meets the Earth
Leila & Harun (Fake Honey Pictures)
Bahati
Eleni Bakopoulos
Like the Pine #2
UNHCR, the UN Refugee Agency, protects people forced to flee their homes because of conflict and persecution. We save lives, protect rights, and help build better futures.
Omar Sachedina
Expelled
Cěsart Celedôn
Spirit Indestructible \ Board
J. Carolina Gajardo
I knit a new city
Camilo Arias
Refugees
Gloria Uwamahirwe
Home
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Randell Adjei
Hope Away From Home
Ahmed Moneka
Safety
UNHCR, the UN Refugee Agency, protects people forced to flee their homes because of conflict and persecution. We save lives, protect rights, and help build better futures.
Harem Tahir
Seeking Safety
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Rana Atie
Flowers of resistance
Hardiel Vilchez
Cuentas Claras
Zehra Naqvi
Running
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Polina Iudina
Saida: the story of life
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Bîstyek
Life Jacket
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Svitlana Radostieva
Arabic Breakfast
Kim Thúy
Mon frère et le Myanmar